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World Galaxy can be seen to some degree as a hugely important album for Alice. As the new Jazz-Fusion sound was beginning to play a significant part in the ongoing creative movement of jazz, The legacy of Her deceased husband (John Coltrane), still loomed large, and her unique brand of 'Spiritual Jazz', was becoming more of niche market appeal.

Alice Coltrane is one of the greatest artists of the 20th century, with a sublime musical vision that encompasses jazz, blues, gospel, Indian classical, North African music, and European modernism. Although her achievement is now being recognised, for many years Coltrane was misunderstood and dismissed by many of jazz’s gatekeepers. Some viewed her in the way many view Yoko Ono: responsible for the break-up of her husband John Coltrane’s classic quintet; a sexist and demonstrably untrue claim. Others simply didn’t get what her music was about, dismissing it as so much hippy twaddle.

As the normally on-point Richard Cook writes in his Jazz Encyclopedia, 'Her albums of her own music often come across as soft-headed and incoherent rambling one wonders if she would have enjoyed any attention at all if she had remained plain Alice McCleod.' Such wrong-headed attitudes are thankfully on the wane. Coltrane was hugely respected by the heavyweight musicians she worked with, who were clearly less hung up on genre boundaries than many critics. Her music has always attracted open-minded music fans - Journey In Satchidananda is one of the cult albums – but in recent years it has enjoyed a new lease of life, with Radiohead, Four Tet and Sunn 0))) among the acts paying homage. The Los Angeles beats & jazz community centred around her nephew Stephen Ellison, aka Flying Lotus, has played a key role in raising her profile, and there’s undoubtedly a heady whiff of Alice in Kamasi Washington’s symphonic jazz arrangements. She’s also a major influence on contemporary jazz innovators like Joshua Abrams and Amirtha Kidambi, who clearly respond to her unorthodox approach. Born in Detroit in 1937, the young Alice McLeod was a musical prodigy, learning piano from an early age, and playing organ in Mount Olive Baptist Church by the age of nine.

Gospel remained a great love and its influence can be heard throughout her work. In her teens, she discovered bebop through her older half-brother, the bassist Ernie Farrow, and was entranced. Before she was twenty, she had gigged with saxophonists Cannonball Adderley and Sonny Stitt.

She later moved to Paris where she studied piano with the great Bud Powell. She returned to the US after her first marriage ended, where she played with vibist Terry Gibbs (she appears on his 1963 album ) who introduced her to John Coltrane in 1963. He was her soulmate and collaborator, and together they had four children before John’s untimely death from liver cancer in 1967. Her music and spirituality helped her overcome the trauma of losing her husband at 30, and in 1968 she released the first of her twenty solo albums, the beautiful A Monastic Trio.

In the 1970s, she became a disciple of Swami Satchidananda (the guru who opened Woodstock) and took on the name Turiyasangitananda. She soon became a spiritual leader herself, opening the Vedantic Centre in 1975, and the Sai Anantam Ashram eight years later. As a result, she drifted away from the music business, although she continued to record devotional music for her community. Those recordings enjoy their first commercial release with the new compilation on Luaka Bop, The Ecstatic Music Of Alice Coltrane Turiyasangitananda; a real cause for celebration. Before her death in 2007, she returned to the studio for one final album proper, the wonderful Translinear Light.

Read on, as we unpack her legacy. Something About John Coltrane Alice Coltrane joined her husband’s band in 1966, recording a number of studio sessions including the final album released during his lifetime, Expression, and the posthumously released Stellar Regions. She also appeared on several live recordings, including Offering: Live At Temple University, a phenomenal set recorded in Philadelphia in 1966, but only released in 2015. Alice’s piano playing on these albums is less flashily virtuosic than McCoy Tyner’s, but it’s highly distinctive nonetheless, with the extended harmonies, rippling modal lines and driving bass she would develop further on her own albums. She hooks up beautifully with bassist Jimmy Garrison and drummer Rashied Ali, riding the latter’s multi-directional flow, while providing rhythmic and harmonic anchors when necessary. She more than proves herself of being willing and able to follow her husband on his ecstatic journeys to the outer reaches. Following John’s death in 1967, Alice founded the independent Coltrane Records to release the jointly credited Cosmic Music, featuring two 1966 tracks by the John Coltrane Quintet, and two new pieces she had recorded with her first quartet (with Pharoah Sanders, Jimmy Garrison and Ben Riley) at her Long Island home studio in 1968.

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